Category: Culture

  • Little Tokyo in Los Angeles Has Been Declared an Endangered Historic Site

    Little Tokyo in Los Angeles Has Been Declared an Endangered Historic Site

    Image credit: Unsplash

    America is certainly not without history. Across the country, citizens and visitors can tour a land filled with a rich past that highlights where the U.S. came from and how it has become the nation it is today. With cultural and historical landmarks throughout the country providing valuable reminders and lessons, protecting these places has become crucial in preserving America’s diverse history. Raising awareness of endangered historical places is the National Trust for Historic Preservation, whose annual list features Los Angeles’ very own Little Tokyo.

    The National Trust for Historic Preservation is shedding light on historical places that highlight where lives, memories, and stories began. Leading the movement of preserving the connections that guide and anchor the U.S. to its present and future, this nonprofit organization has spent over 70 years dedicated to saving America’s historic places. Every year, the National Trust for Historic Preservation releases a report that directs a powerful gaze on historic places in danger of being lost. 

    This year’s 37th annual America’s 11 Most Endangered Historic Places report “shines a long-overdue spotlight on generations of trailblazers by saving the places where they raised their voices, took their stands, and found the courage to change the world,” states the nonprofit’s website, who has built the 2024 list around the theme of communities uniting to protect their cultural landmarks, local businesses, and their customs and traditions. This year, Los Angeles’ Little Tokyo, one of only four surviving “Japantowns” in the U.S., is on the list.

    Established in 1884, Little Tokyo is a landmark in American history, enduring more than a century of adversities that include the forced incarceration of Japanese Americans during World War II, large-scale demolition for the construction of municipal building construction, and urban renewal. Yet, despite the challenges Little Tokyo has endured, “The neighborhood has remained central to the Japanese American community… Little Tokyo is now home to over 400 small businesses, including approximately 50 long-time legacy businesses,” states the nonprofit in an annual report.

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    Unfortunately, despite fighting for just one block to be designated a National Historic Landmark in the 1990s, Los Angeles’ development is encroaching on Little Tokyo’s modest area. Authentic restaurants and shops, including ones that have been in business for decades, are facing gentrification and displacement, with rents rising to the point that Little Tokyo is in danger of losing its unique, historical character. 

    President and CEO of the historic nonprofit, Carol Quillen, stated that “Little Tokyo and its multigenerational restaurants, businesses, and cultural institutions are a

    distinctive part of Los Angeles’s history and character… We hope that by bringing attention to displacement and gentrification occurring in the neighborhood, Los Angeles’s Little Tokyo can get the support and policy protections needed so that the community can thrive long into the future.”

    Several organizations like the Little Tokyo Community Council, the Little Tokyo Service Center, the Japanese American National Museum, and the Japanese American Cultural and Community Center have been advocating for this landmark’s preservation for decades. These organizations have come together to form the Sustainable Little Tokyo coalition to help protect Little Tokyo residents, businesses, and culture. Yet, Little Tokyo is still marked as an endangered landmark, proving that Americans need to unite to help preserve the history that has helped make this nation what it is today. 

  • LA County Is Home to Some of the Top Ramen Spots in America

    LA County Is Home to Some of the Top Ramen Spots in America

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    If there’s one thing Los Angeles does better than almost anywhere else, it’s ramen. This Japanese soul food has taken Southern California by storm, with ramen-yas (ramen shops) firing up their burners from Downtown to the Valley. A recent Yelp survey solidifies LA County’s ramen reign, ranking over a dozen local spots among the top ramen restaurants in the entire state.

    LA’s deep Japanese roots and insatiable appetite for culinary innovation set the stage for this ramen renaissance. From traditional tonkotsu broths simmered for days to imaginative fusion spins, the repertoire is vast. The ramen scene reflects the city’s incredible diversity, allowing ramen lovers to enjoy an authentic Tokyo-style bowl one night and a vegan mazemen the next. Ramenists can hopscotch from classic pork-based tonkotsu to unconventional chicken or seafood renditions without leaving their zip code.

    Leading the pack at #1 is Susuru Ramen Bar, a “hidden gem” drawing rave reviews for its pork-bone tonkotsu adorned with pork belly chashu, perfectly seasoned wood ears, and a velvety ajitsuke tamago. Over in Highland, the #4 spot belongs to RamenKoko, where the chefs labor over their tonkotsu for over 28 hours to achieve a depth of flavor that can’t be rushed. Customization is king here, with veggie and vegan options alongside premium add-ons like chashu pork belly.

    Santa Clarita’s Sen Noodle House (#6) earns kudos not just for its ramen, but also for its exceptional service guiding diners through the dizzying menu. First-timers can explore regional ramen varieties from around Japan with the staff’s friendly expertise. Culver City’s Moto Ramen (#8) is a standout for starters like the crispy chicken karaage and addictive pan-fried gyoza. And in Sherman Oaks, Umigame Japanese Kitchen (#10) is a destination for the unusually lush, deeply savory black tonkotsu ramen made with an intense triple-garlic oil.

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    Beyond exemplary broths, LA ramen-yas excel at the total ramen experience. At Pisces Poke & Ramen (#11), stylish diners slurp amidst tropical-themed decor and nosh on signature poke bowls. And Iki Ramen (#13) channels a hip, underground izakaya vibe with inventive offerings like its decadent A5 Wagyu mazemen and indulgent uni mazemen starring fresh sea urchins.

    From mom-and-pop shops to ramen empires, the county’s top artisans are drawing global accolades—and hungry slurpers willing to endure long waits for their coveted bowls. Ramen hunters flock to Kaiba Japanese Ramen Sushi & Grill (#14) in Pasadena for the spicy miso ramen and fresh sushi made with a deft hand. In West LA, Mogu Mogu (#15) has achieved cult status for its broth-less “mixing” mazemen that diners prepare tableside per the chef’s instructions. And Suban Sushi & Ramen (#16) in Canoga Park garners praise for its creamy signature suban ramen and crispy rice appetizers.

    With new ramen concepts constantly emerging alongside longstanding favorites, LA’s love affair with ramen shows no signs of fading. Case in point: the highly anticipated Hokkaido Ramen Festival coming to LA April 19-21, 2024. This three-day celebration will feature ramen makers from the ramen capital of Hokkaido, Japan showcasing their regional styles and specialties. Upcoming ramen festivals and pop-ups like these will undoubtedly continue to stoke the flames. This enduring love affair is a delicious reminder that in the ramen capital of America, there’s always room for one more slurp.

  • Learn to Forget Clothing Brand Is Embracing the Socal Counter Culture

    Learn to Forget Clothing Brand Is Embracing the Socal Counter Culture

    Image credit: Pexels

    Fullerton-based clothing brand Learn to Forget stands as a vibrant representation of rebellion and artistic expression in Southern California’s counterculture. Founded by Reilly Herrera and Mike Cambra, the brand intertwines the spirit of skating, graffiti art, and punk rock prevalent in Orange County and Los Angeles.

    Reilly Herrera’s journey into the world of counterculture began early in life, marked by his innate talent for drawing and a penchant for going against the grain. Growing up in Fullerton, Herrera’s interests in graffiti, skating, and punk rock music converged, shaping his unique perspective on art and expression. His college years further fueled his creative journey, delving into oil painting and graphic design, providing him with the tools needed to navigate the mainstream art world.

    As the bassist for Night Versus, Herrera’s artistic endeavors extended to designing band merchandise. However, his one-of-a-kind style found a separate outlet when he started printing shirts independently. The venture led to the inception of Learn to Forget in 2013, a collaboration with longtime friend Mike Cambra, the drummer of Death by Stereo.

    From its humble DIY beginnings, selling merchandise out of garages and car trunks, Learn to Forget has evolved into a global phenomenon, with products available in over 400 stores worldwide, including a partnership with Zumiez. The brand maintains a commitment to local production, with most designs printed locally and ensuring quality. Even when outsourcing is necessary, Herrera prefers locations like Pakistan for their craftsmanship.

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    Learn to Forget’s product range includes trucker hats featuring fonts reminiscent of death metal and hardcore band logos, jackets adorned with anarchy symbols, spider webs, and skulls. The designs pay homage to the rebellious spirit of punk rock, skating, and graffiti scenes, mirroring Herrera and Cambra’s upbringing in these distinctive subcultures.

    The brand’s website showcases statement pieces with slogans rooted in punk community values. Messages like “Never Above You, Never Below You, Always Beside You” and “Respect Existence or Expect Resistance” echo the essence of the punk scene. Influenced by the politically charged punk band Propagandhi, Herrera and Cambra’s designs challenge the status quo and encourage individuality. Learn to Forget, born out of a mindset that unconsciously challenges boundaries, continues to push the envelope with boisterously confident statements and provocative designs.

    The brand has ventured into collaborations with Pabst Blue Ribbon and iconic punk bands like the Adolescents, celebrating the 40th anniversary of their self-titled album. Herrera and Cambra aspire to expand collaborations with more bands, musical acts, and brands such as Dickies and Obey, envisioning a sustainable independent venture. 

    For Herrera and Cambra, Learn to Forget goes beyond a brand to become a trailblazing platform for artistic expression. It also serves as a response to the absence of financial safety nets for those immersed in the counterculture. The duo hopes to create an amplified sustainable business that allows them longevity in the industry without the need for conventional employment. Standing out with style, Learn to Forget thrives by staying true to Herrera and Cambra’s vision of what they find cool. Their approach of boldly doing what they believe in has propelled the brand’s success, making it a prominent player in the world of counterculture fashion.

  • What Is Behind the Almost 300% Increase in Graffiti in Downtown LA?

    What Is Behind the Almost 300% Increase in Graffiti in Downtown LA?

    Image credit: Unsplash

    An alarming increase in graffiti vandalism in downtown Los Angeles is causing local government and business leaders more and more trouble. With its three skyscraper towers, the Oceanwide Plaza building was originally thought to be a symbol of urban rejuvenation. However, with over 30 floors covered in vibrant, illegal art, it has become a canvas for taggers. The damage continues despite increased security and a constant police presence, extending from Oceanwide Plaza to neighboring buildings and streets.

    Officers from the Los Angeles Police Department (LAPD) have surrounded the Oceanwide Plaza location around the clock, every day of the week, in an attempt to ward off vandals. Nevertheless, their attempts have not been successful in deterring dedicated taggers from causing damage to the property. The LAPD Chief, Michel Moore, disclosed that more than 3,000 hours had been devoted to neighborhood patrols in recent weeks, resulting in a substantial cost burden projected to exceed $150,000.

    One passionate tagger said “I’m going to get my art up no matter what it is,” illustrating the tenacity of those prepared to circumvent security protocols to make their imprint on the urban landscape.

    Vandalism instances involving graffiti persist despite the LAPD’s constant watchfulness. The blatantness of the vandals was demonstrated in a recent incident that was caught on camera by NBCLA. One of the perpetrators admitted to rerouting their efforts to another building after being unable to gain entry to Oceanwide Plaza.

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    The impact of this vandalism goes beyond the immediate region of Oceanwide Plaza; business leaders in the downtown area have seen an alarming increase in graffiti. While Nick Griffin, Executive Vice President of the DTLA Alliance, reported a startling 500% rise in vandalism occurrences over the last week alone, Blair Besten, Executive Director of the Historic Core Business Improvement District, reported a tripling of graffiti-related service calls.

    The frequency of destruction caused by graffiti has led local officials to demand immediate action. Mayor Karen Bass was pushed to declare a state of emergency by Earl Ofari Hutchinson, President of the Los Angeles Urban Policy Roundtable, to allow the city to obtain extra state and federal resources to address the issue.

    “It’s not only an eyesore. It’s an embarrassment for the city of LA,” Hutchinson emphasized, underscoring the urgency of the situation.

    Some taggers are unaffected by the LAPD’s efforts to enforce the ban because they believe there are legal loopholes. Despite the LAPD’s claim that trespassing and vandalism are punishable by arrest, the ongoing nature of the vandalism indicates that more extensive measures are required to deal with the underlying causes of the problem.

    When the Chinese developer ran into financial difficulties in 2019, work on the Oceanwide Plaza development came to a halt, leaving the building unfinished and open to vandalism. The property’s incomplete nature has made matters worse by giving taggers lots of opportunities to express themselves at the expense of both public and private property.

    As the downtown Los Angeles graffiti pandemic worsens, worries about the city’s image and public safety are growing. Although there is still work to be done, the issue of taggers’ tenacity highlights the necessity of a multimodal strategy that targets the enforcement of current laws as well as the underlying causes that motivate people to commit vandalism. Downtown Los Angeles’s streets cannot be freed from the grasp of graffiti vandalism unless law enforcement, community leaders, and stakeholders work together in unison.

  • 39th Annual Kingdom Day Parade Held in LA to Celebrate the Great Martin Luther King’s Birthday

    39th Annual Kingdom Day Parade Held in LA to Celebrate the Great Martin Luther King’s Birthday

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    Los Angeles reverberated with joy as it became the festive stage for the 39th Annual Kingdom Day Parade, a heartfelt tribute to the great Martin Luther King Jr. on his 95th birthday. Boasting a large turnout, individuals gathered at Leimert Park to pay homage to the civil rights leader’s profound impact and to contemplate his enduring legacy.

    The LAUSD All District Honor Marching Band took the lead, commencing the three-mile parade along MLK Jr. Boulevard in Leimert Park. The resonant theme for the momentous event was “Can’t Stop, Won’t Stop, Going to the Promised Land,” serving as a rallying cry for parade attendees and special guests alike.

    Inspired by the unforgettable legacy of Dr. King, Congresswoman Maxine Waters walked the entirety of the parade route, expressing how fighting for the people drives her. Leading the parade as the grand marshal was LA County Supervisor Holly Mitchell, who chose a unique mode of participation. Mitchell biked on two wheels to convey a message of health and environmental awareness. The supervisor emphasized the connection between Dr. King’s commitment to health equity and climate justice as she declared climate to be king. 

    Archie Williams, a contestant from America’s Got Talent, found immense resonance with Dr. King’s message, emphasizing the pervasive truth that injustice anywhere poses a threat to justice everywhere. Williams, who faced wrongful conviction and spent an agonizing 36 years in prison until the Innocence Project cleared his name through DNA evidence, shared that this is a day he dreamed of and he felt privileged to honor Dr. King at the event. 

    The theme “Can’t Stop, Won’t Stop, Going to the Promised Land” was a fitting tribute to the late civil rights leader. The event, distinguished as the world’s largest and longest-running celebration in honor of Martin Luther King Jr., holds a special place in the hearts of the people of Los Angeles as a cherished tradition. The lively procession traversed west on Martin Luther King Jr. Blvd. and down Crenshaw Blvd., culminating near Leimert Park, where the festivities continued with a vibrant community festival.

    Dr. Adrian Dove, chairman, and executive producer of the parade, shared that the enduring success of the Kingdom Day Parade is fundamentally attributed to “the people.” The parade drew participation from esteemed officials, including L.A. Mayor Karen Bass and California Attorney General Rob Bonta, who proudly marched to demonstrate their relentless commitment to Dr. King’s vision. Mayor Karen Bass emphasized the day’s significance, underlining that it was an opportunity not just to celebrate but to recommit to Dr. King’s vision, believing the holiday to be a time to work and think about what lay ahead.

    As the sun set on this empowering day of celebration, the Kingdom Day Parade stood as a living testament to the enduring impact of Dr. Martin Luther King Jr.’s legacy. It brought together a diverse community of individuals from various walks of life to honor his revolutionary vision of equality, justice, and unity. The great Dr. Martin Luther King Jr.’s life remains a powerful reminder of the ongoing journey toward a more just and harmonious society.

  • Over 200 Celebrated in Los Angeles as California’s Lifts Ban on Lowriders

    Over 200 Celebrated in Los Angeles as California’s Lifts Ban on Lowriders

    Image credit: Unsplash

    Lowrider drivers and car enthusiasts in Los Angeles have kicked off 2024 on a high note. The streets of East Los Angeles, particularly Whittier Boulevard, witnessed a historic moment on New Year’s Day. Over 200 shimmering lowriders paraded down the road, their presence marking more than just a celebration; this was a victory lap for a community long marginalized by restrictive legislation.

    The cause for excitement was the signing of Assembly Bill 436 by Governor Gavin Newsom in October. This new law has struck down previous restrictions on lowrider cruising, effectively ending the anti-cruising ordinances that once hindered enthusiasts from freely enjoying their decked-out vehicles on public roads. The ban’s removal has been a long-awaited victory for the lowrider community. Large groups watched in anticipation as “no cruising” signs were ceremonially dismantled.

    One enthusiast expressed the significance of this event, saying, “Cruising is our lifestyle, it’s our culture, it’s our life, it’s our livelihood.” This statement captures what cruising means to these individuals – it’s more than just a hobby; it’s a way of life encompassing a rich cultural history and a deep sense of community.

    Lowrider culture can be traced back to the post-World War II era, developed predominantly by Mexican Americans in Southern California. It’s a group that has flourished over the decades, with enthusiasts meticulously modifying their cars, lowering them, and embellishing them with eye-catching designs and accessories. However, this cultural expression faced a setback in 1988 when a law permitted local jurisdictions to penalize cruising or driving lowriders on city streets. Many of these restrictions classified lowriding as a traffic offense.

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    Governor Newsom’s recent change in legislation is not just a legal victory but a restoration of cultural pride and freedom. It acknowledges the importance of lowrider culture as a significant and legitimate part of California’s diverse heritage. A lowrider driver highlighted this, saying, “Whether you got a car that’s worth a couple thousand dollars or whether you’ve got a beautiful machine out here that’s worth several hundred thousand dollars — we appreciate the culture and your contribution to our culture.”

    Lifting the ban has opened up new avenues for these enthusiasts to showcase their passion and creativity. It’s a triumph over a law many in the community felt unfairly targeted their cultural expression, and its removal is seen as a step towards eliminating the discrimination that has shadowed this community.

    The overturning of the anti-cruising law is more than just a legal victory; it’s a restoration of dignity and respect for a community that has long been sidelined. This New Year’s Day celebration proved how strong and united the community is. It showed how this culture has survived many years of being misunderstood and treated unfairly.

    As lowriders drive freely on California’s streets, they show the world their history of fighting hard, achieving success, and never giving up. The end of this ban is more than just good news for car lovers; it’s a recognition of the importance of cultural expression in all its forms. In this new world, the sound of a lowrider’s engine is something to be proud of and enjoy.

  • Soul Food Sundays’ Coming to West African-Inspired Vegan Restaurant Ubuntu

    Soul Food Sundays’ Coming to West African-Inspired Vegan Restaurant Ubuntu

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    West Hollywood’s vegan culinary scene is set to receive an upgrade with the introduction of Soul Food Sundays at Ubuntu, a West African-inspired vegan restaurant. The new dining experience, curated by Chef Shenarri Freeman, is scheduled to make its grand debut on January 14, 2024. Chef Shenarri’s unique offering represents a fusion of soul food and vegan cuisine.

    Ubuntu, which opened its doors on August 1, 2023, has already made significant waves in the plant-based dining community. The restaurant is the brainchild of 2022 James Beard Award semifinalist Shenarri “Greens” Freeman and 2022 James Beard Award nominee Ravi DeRossi of Overthrow Hospitality. Ubuntu’s menu is an ode to West African culinary traditions, infused with Chef Shenarri’s innovative approach to vegan cuisine. Drawing inspiration from countries like Senegal, Nigeria, and Ghana, Ubuntu presents an array of dishes that redefine the plant-based dining experience.

    The Soul Food Sundays event promises to bring a slice of New York City’s renowned vegan soul food haven, Cadence, to the heart of West Hollywood. Chef Shenarri, known for her creative and flavorful dishes, will introduce a selection of her most cherished creations to Ubuntu’s guests. The menu features an array of mouth-watering options, including Southern Fried Lasagna, a unique blend of comfort food and innovation; Biscuits & Gravy with a mix of porcini mushrooms, carrots, and buttermilk; and the crowd-pleaser, Fried Oyster Mushrooms & Waffles.

    For those with a sweet tooth, the Maple Buttermilk Cornbread served with sage maple syrup and jam is a must-try. The menu also includes Collard Green Wraps with succotash and chickpea miso broth, Palm Cake with heart of palm and chipotle aioli slaw, seasonal cobblers, and an irresistible Lemonberry Cake.

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    Complementing these culinary delights is a selection of expertly crafted cocktails by mixologist Sother Teague. Guests can enhance their dining experience with drinks like the Salted Maple Old Fashioned and Jerk-Spiced Lemon Tea, adding a refreshing twist to the soul food theme.

    Ubuntu’s commitment to plant-based dining is evident in its diverse and inventive menu. Signature dishes such as Jackfruit Yassa, Curry Jollof Arancini, Seitan Suya, and Charred Okra Salad highlight the versatility and richness of the vegetables used. The restaurant also takes pride in its curated selection of wines from Black-owned vintners, adding an extra layer of sophistication and community support to the dining experience.

    Soul Food Sundays at Ubuntu are not just a dining event. They represent a fusion of cultures, cuisines, and communities. This weekly affair, running from 2 to 8 pm, invites guests to explore the depths of vegan soul food in a setting that celebrates the flavors and traditions of West Africa.

    Ubuntu is more than a restaurant. It’s a culinary destination where every dish tells a story and every bite is a journey. Located at 7469 Melrose Ave, Los Angeles, CA 90046, Ubuntu is poised to become a staple in the West Hollywood vegan food scene, offering a unique and memorable dining experience.

    For those eager to be part of this culinary extravaganza, reservations and more information are available at UbuntuLA.com.

  • Badmaash Creators Set to Open a New Restaurant Featuring Indian Chinese Cuisine

    Badmaash Creators Set to Open a New Restaurant Featuring Indian Chinese Cuisine

    Image credit: Unsplash

    In Downtown Los Angeles, a culinary revolution is unfolding, spearheaded by the enthusiastic team of the Badmaash Restaurant: Chef Pawan Mahendro and his sons, Arjun and Nakul. Known affectionately as the “Badmaash boys,” they are introducing the city to the rich flavors of Indian Chinese cuisine through their latest venture, Hakka Hakka. This series of pop-up events, which started delighting the taste buds of food lovers on November 13, is set to make a grand return on Monday evenings starting at the end of January 2024.

    The concept of Hakka Hakka is rooted in the rich history of the Hakka people, a subset of the Han Chinese who moved across the globe, including India. This migration led to a unique culinary fusion, where traditional Chinese recipes were infused with the flavors and ingredients of Indian cuisine. In Kolkata’s Tangra district, where many Hakka settled, this place became a melting pot of these flavors. This is where popular dishes like chili chicken, chow mein, and the famous chicken Manchurian were created. Chicken Manchurian is a mix of deep-fried chicken, cauliflower, prawns, and more, all seasoned with soy sauce.

    After chef Pawan Mahendro graduated from culinary school, he perfected his skills in Hakka cuisine at Mumbai’s Golden Dragon restaurant at the Taj Hotel. His wife, Anu, recalls her father celebrating special occasions with Indian Chinese meals, a tradition that greatly influenced their sons Arjun and Nakul. Growing up in the Greater Toronto area, a place that is known for its Hakka food, the brothers came to love these dishes, seeing them as an essential part of their family celebrations.

    While South Asian restaurants throughout the Southland offer glimpses into Hakka-style dishes, the Mahendros aspire to establish the first restaurant in Los Angeles dedicated exclusively to this fusion cuisine. Their search for the perfect location is ongoing, with Nakul imagining a lively, festive environment similar to the Hakka dining spots in Toronto, like Federick’s or China Cottage. He envisions a busy place in an area like West Hollywood, featuring a full bar to match the bold flavors of their cuisine.

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    Nakul Mahendro passionately explains their vision, “LA is ready for Hakka food because Hakka restaurants in India resemble American Chinese restaurants here. It’s a mentality of giving them what they want, like orange chicken and sesame chicken. Imagine your favorite American Chinese food but with chiles, heavy garlic, heavy ginger, and Indian spices.”

    The excitement surrounding Hakka Hakka is evident,  especially with their $100 set menu announcement for the January 2024 comeback. Guests can look forward to a delicious adventure starting with hot and sour soup and corn cabbage Manchurian, followed by a variety of dishes such as chili chicken, hot and sweet garlic fish, crispy lamb, and Chinese greens. The meal will wrap up with Chowpatty beach kulfi, also known as mango malai, providing a sweet end to a diverse and flavorful feast.

    This new culinary venture by the Badmaash boys is more than just a restaurant; it’s a celebration of cultural fusion, a showcase of creative cooking, and a nod to Los Angeles’s varied tastes. As the city anticipates the full launch of Hakka Hakka, food lovers and those who enjoy culinary exploration eagerly wait for what’s sure to be an unforgettable dining experience.

  • Hollywood Protesters Call for Cease-fire in Gaza

    Hollywood Protesters Call for Cease-fire in Gaza

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    Hollywood protestors called for a cease-fire in the Israel-Hamas war on the afternoon of Wednesday, November 15. Hundreds flooded the major intersection of Hollywood Boulevard and Highland Avenue, forcing the Los Angeles Police Department to close the area to traffic.

    The Hollywood and Highland intersection is a major tourist attraction, as it contains the Dolby Theater and the TLC Chinese Theater, among other famous sites. Many demonstrators sat down in the street, effectively shutting the area down. The LAPD closed Hollywood Boulevard between Orange Drive and Las Palmas and Highland Avenue between Franklin Place and Sunset Boulevard. The disruption in the flow of traffic caused frustration for drivers, who were encouraged to seek alternate routes and avoid the area.

    “The LAPD’s objective is to ensure public safety for ALL while facilitating the First Amendment rights of those peacefully demonstrating,” the agency said in a statement. “Equally, the Department will enforce the law when individuals engage in acts of violence.” No arrests were made at the Wednesday protest, and no acts of violence were reported. Roads were cleared by 9 pm that night.

    The protest was organized by the groups Jewish Voice for Peace and IfNotNow, who released a joint statement ahead of the demonstration. The news release stated that the Hollywood and Highland protest would be “one of the largest-ever acts of civil disobedience in Los Angeles. It will take place in Hollywood, which has long been a site of organizing for labor rights, critiquing of state violence, and storytelling that speaks truth to power—of which Jewish creatives have often been part.”

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    The same groups have organized similar demonstrations across the country, particularly in Washington, D.C., to catch policymakers’ attention. Also on Wednesday, protestors gathered outside the headquarters of the Democratic National Committee, calling for a cease-fire in the Gaza Strip. U.S. Capitol police responded to the demonstration and claimed that the group of 150 was “illegally and violently protesting.” Several members of Congress were evacuated from the building as tensions escalated. 

    The Capitol police and protestors have put forth conflicting accounts of the protest. Demonstrators have claimed that the police rushed them without warning, already armed in riot gear, and began pushing and pulling people to the ground at random. Democratic Representative Brad Sherman of California took to Twitter to accuse protestors of “pepper spraying police officers and attempting to break into the building.” Those who attended the protest denied that was the case, saying that the objective was to position themselves near entrances and exits so that committee members would witness a peaceful, candlelight vigil. Footage has since been released showing police locked in an intense scuffle with protestors and attempting to control a chaotic scene.

    The conflict between Israel and Hamas has escalated in violence following the devastating attack on October 7 earlier this year. Hamas’ reprehensible actions toward innocent civilians in Israel shocked the world and invited many differing opinions about fraught relations between Israel and Palestine. The United States’ decision to support Israel continues to cause tension socially and politically across the nation.

  • Revitalizing Chinatown: How Residential-to-Restaurant Conversions Are Transforming the Area

    Revitalizing Chinatown: How Residential-to-Restaurant Conversions Are Transforming the Area

    Image credit: Pexels

    A stunning string of residential-to-restaurant conversions has created a captivating area out of the previously somewhat abandoned Chinatown. 

    Architect Jingbo Lou has taken his own corner of Victor Heights and developed it into a flourishing restaurant hub. He took 100-year-old bungalows and a sliver of the neighborhood and made an inviting area that enthusiastic food lovers can thoroughly enjoy. 

    The ‘Forgotten Edge’ of Chinatown, on the first hill north of LA’s downtown core and Dodger Stadium, borders Echo Park. The sector is cut off from the majority of Chinatown by the 110 freeway. Its famous name was coined in the early ‘90s due to a reputation of neglect from local police divisions that were disadvantaged due to district boundary debates. 

    Now, a cluster of six small residential buildings has become a series of trendy new restaurants at the corner of Alpine and Centennial streets. The culinary hub is being called the ‘Alpine Courtyard,’ inviting those with exceptional tastes to its door. LA chefs and restaurateurs have pulled out all the stops to fashion exquisite dishes that any palate will appreciate.

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    According to Lou, preserving a piece of the city’s history is the goal. Restoring buildings that have stood tall for a century brings new life to a neighborhood that used to thrive back in the day. He’s rejuvenating the area by adding a beacon of flavorful beauty to the end of a once-forgotten enclave. 

    The complex was once set to be torn down for luxury apartments but took a purposeful turn. The neighborhood is mostly residential but is currently experiencing an influx of new developments, pointing to a promising commercial future. What was once a working-class neighborhood is now adorned with condos worth over $1M alongside the old Victorian apartment buildings and bungalows. 

    Lou hails from Beijing, having moved here in 1991 to pursue a master’s degree in architecture and landscape at the University of Southern California. His higher education kick-started his career in LA. Lou spent 2005 to 2012 gaining experience preserving buildings in the area as an architect with Heritage Housing Partners, a non-profit whose mission was to provide affordable homes to low and moderate-income first-time homeowners. In 2014, he handled the preservation of Koreatown’s Hotel Normandie.

    Lou purchased the property alongside two partners after previous plans for the space fell through. He was proud of the place and his part in maintaining history, exclaiming, “Preservation is not just about the buildings, but also the settings and the culture.” According to him, preserving the settings and culture of Victor Heights means reinstituting the commercial fabric of the neighborhood. He provides affordable rent for first-time small business owners, allowing them to showcase their exquisite dishes to connoisseurs in the area. He stated that every tenant of Alpine Courtyard “are in their mid-30s, have accumulated a lot of experience in their fields and were looking for a starting point to open their own businesses.”

    The deal to develop the plot was finalized in 2019, and Lou has been helping it thrive ever since. The plot was already zoned for commercial business as part of a master plan amendment from 1970 that was set in place due to the plot’s proximity to water management district buildings, major freeway interactions, and Elysian Park. Lou plans to maintain the existing layout rather than embark on new construction projects.

  • L.A.’s Trending Gen Z Spot: Barney’s Beanery?!

    L.A.’s Trending Gen Z Spot: Barney’s Beanery?!

    Image credit: Unsplash

    Barney’s Beanery is back in style, bringing ‘90s flavor back in a big way. Nostalgia enthusiasts—namely, a slew of twenty-somethings—are waiting in lines down the sidewalk of up to 50 people just to get in. At 10 p.m. on a Saturday night, Barney’s Beanery is the place to be. 

    The century-old bar offers patrons food and fun that more typical entertainment venues simply can’t offer. The dive bar and diner serve social groups circling packed pool tables, shuffleboard games, and retro arcade games. It’s giving ‘90s and 2000s vibes with all the purely energetic fun that encompassed the decades. From birthday celebrations to your average (and otherwise dull) evening, Barney’s Beanery is re-re-defining fun.

    Barney’s Beanery was founded by L.A. native and World War I veteran John “Barney” Anthony in Berkeley in 1920 but moved to West Hollywood by 1927. Rising celebrities and up-and-comers have been hitting the establishment for the last hundred years. One wall displays a framed canceled check from Marilyn Monroe herself for an order of their famous chili. Tales of celebrities encapsulate the building. When you visit, if you ask for some anecdotes about the diner, you could be there for hours on end. You might even end up sitting in Quentin Tarantino’s favorite booth. 

    Bar Rescue’s John Taffer used to manage the place, serving regulars like Sylvester Stallone and Francis Ford Coppola beer in the 1980s. While it remained a community staple, the young crowd hadn’t fully taken to it until now—and now, their enthusiasm can’t be stopped. The general consensus is that there’s just a feeling, energy, or vibe that’s too attractive to miss. Once people give in to the FOMO and go for themselves, they can’t help but want to go back. And they’re willing to wait in line to do it.

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    “I think the long-term success of Barney’s is because we have this sort of magic to us,” stated manager AJ Sacher. “Barney’s feels like a place from where you’re from, wherever that is. It’s hard to put your finger on why, and it’s kind of uncanny.”

    Whether you want to eat waffles and play basketball or be where the TikTok ‘it’ girls are at, Barney’s has you covered. If you want to casually bump into Selena Gomez, you might be able to do that, too. She showed up in April and August of this year, sparking national attention and sending the local hype into overdrive. 

    Celebrities and new community members alike love the joint. Take Turner Anderson, 23, who moved to LA from Texas about six weeks ago. She spent the evening there with her friends, excited about the vintage pinball machines. “This bar has more of a Texas vibe than anywhere I’ve been in L.A.,” says Anderson, who learned about the bar from her new friends. “You can come here and be able to talk to your friends and not have to scream at them.”

    According to Avery Morgan and Nathalie Eid, two 21-year-old students who hang out at Barney’s, “It’s a lot different from what I expected. The crowd [at Barney’s] is really diverse. A lot of places in L.A. are very niche. The crowd here isn’t your typical stuck-up L.A. club people.”

    While fresh blood is determined to spice things up, the regulars aren’t far to be found. Barney’s ‘VIP’ Marco DelVecchio, about to appear in Season 3 of Fboy Island, is a self-appointed promoter of the place. The 28-year-old stand-up comedian records his podcast on the patio, enjoying every minute of it. He talks with influencers and personalities like Justin Bieber on the podcast in a comfortable environment where people don’t ask for photos and autographs—they’re just there to chill.

    The excitement isn’t expected to die down any time soon. So, if you’re headed out Saturday night, you might want to leave a bit earlier to beat the queue.

  • Underground Jazz Movement in L.A.: The Hidden Concerts Cultivating a Fervent Fanbase

    Underground Jazz Movement in L.A.: The Hidden Concerts Cultivating a Fervent Fanbase

    Image credit: Pexels

    For years, a hidden jazz phenomenon has been quietly brewing within the vibrant city of Los Angeles, drawing fervent fans and creating an enviable underground music scene. The man behind this movement is Yousef Hilmy, the founder and creative director of Minaret Records. Hilmy’s journey and his dedication to preserving and advancing jazz culture in L.A. offer a unique perspective into the city’s electric music scene.

    Hilmy’s commitment to creating a jazz community that thrives in the face of challenges like government policies, economic uncertainty, and inaccessibility has been the driving force behind Minaret’s success. Minaret Records, founded in 2019, has been on a mission to make jazz accessible to people of all ages and to ensure that musicians are compensated fairly for their performances. Hilmy’s hands-on approach to every show reflects his dedication. He takes care of everything, from adjusting lights to lighting incense and checking microphones. His friends and fellow jazz enthusiasts often join him, wearing Minaret merchandise and helping with various tasks to support the cause.

    Hilmy is clear that Minaret is a community effort, and it’s not just about him. It’s about everyone who contributes to defining the sound and spirit of Minaret. The jazz label is more than just a record company; it’s a movement that connects people through music. The inception of Minaret Records was driven by a shared feeling of dissatisfaction within the jazz community. Hilmy and his peers believed that existing labels weren’t doing enough to support independent music and young artists.

    The aficionado’s love for jazz developed gradually, with influences ranging from Miles Davis to Charles Mingus, hip-hop samples, and music from his Egyptian heritage. Growing up in Orange County, Hilmy often found himself at the center of a cultural divide, facing prejudice due to his Arab identity. Despite the challenges, he pursued his passions, eventually transferring to Brown University to study English.

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    The birth of Minaret Records came from a chance meeting with artist Takoda in an abandoned house in Santa Ana, California. They both envisioned creating a jazz label that represented youth culture and expanded the genre’s legacy. Hilmy’s tireless efforts and relentless commitment have made him a crucial figure in the jazz scene.

    What sets Minaret apart is its sense of community. Going beyond the average record label, Minaret stands out as a collective of friends and like-minded individuals who come together to support jazz. Hilmy strives for more representation of women and queer individuals within Minaret and aims to participate in charity and education. The future of Minaret is promising, with plans for festivals, collaborations, and a growing backlog of demos. Hilmy’s boundless energy and passion continue to drive the label forward, making it an essential part of the L.A. jazz scene.

    Unpredictability is part of the art form in jazz. Similarly, the intertwined fates of Minaret and Yousef Hilmy are part of a larger symphony of passion for the L.A. jazz scene. As the jazz community continues to grow, Hilmy and Minaret Records will remain at the heart of this thriving movement, fostering a culture of inclusion and appreciation for the timeless art of jazz.